Eloping in an Abandoned Church in The Scottish Countryside

Scotland is one of the most atmospheric places to photograph, and Michael and Ross’s elopement-style shoot at the breathtaking Dunglass Estate captured everything I love about creating cinematic wedding images. The soft coastal light, the historic architecture and the peaceful setting were perfect for exploring a more artistic approach while still keeping the moments between them natural and genuine.

This elopement-style shoot with real couple Michael and Ross took place at the breathtaking Dunglass Estate on Scotland’s east coast. The setting gave me the freedom to play with both cinematic, artistic photography and a more natural, relaxed way of working.

My work is usually centred around honest moments. Real laughter, subtle gestures and the in-between expressions that reveal who a couple truly are. Many couples who find me are drawn to this relaxed, natural style because it feels comfortable, especially for people who do not want to pose or have their day interrupted.

Over time, I have also come to appreciate the value of adding a more artistic and editorial touch to a handful of portraits. These images can feel timeless and intentional, and can make a beautiful addition to an album or a frame at home. They might involve gentle guidance or a creative idea, but they can still feel real when approached with care.

For this shoot, I had the pleasure of working alongside Esmé Whiteside, whose work is inspired by Dutch golden age artists. Her photography feels more like seventeenth-century art than modern-day wedding coverage. Esme has become one of my own artistic inspirations, and watching her work challenged me to step out of my comfort zone and embrace a more cinematic wedding photography style, with intentional framing and soft direction.

The experience reminded me that natural photography and artistic photography can sit beautifully together. You can capture something honest and full of character while still creating images that feel striking and atmospheric. The key is making sure the final photo still feels like the couple. Not a version of them created for social media, but something that reflects who they genuinely are.

Even as I leaned into the editorial side, I still found myself encouraging Michael and Ross to laugh, relax and be themselves. Those warm, spontaneous moments are always my favourite to photograph. That balance of connection and creativity is something I am always trying to bring into my work.

Same sex wedding photos

Documentary style wedding photos

Woodland wedding photos

Long grass wedding photos

Gay couple artistic wedding photos

Are you planning a wedding?

If you’re planning an elopement or wedding in Scotland, or you simply want photography that feels natural, cinematic and true to you, I’d love to hear from you.


You can explore my wedding photography packages, or get in touch to check availability and chat about your plans.

Credits

Photographer: Elliot Govier

Workshop: Photography Farm

Mentor: Esme Whiteside

Outfits: Jean Jackson Couture

Flowers: Emma Cox

Couple: Michael and Ross